"This is a record where I deliberately forced the songs to stand on their own," Ridgway says of Black Diamond's spare and spacious production. "The music is as simple and unadorned as we could make it. The musicians and I tried to let the songs flow out of our heads and onto the tape without a lot of fussiness and second-guessing in between. My true interest has always been in the surreal, the dream-states we encounter when we're asleep or wide awake with caffeine buzzing in our heads. And in fact," Ridgway says, "I wrote most of this music from dreams I'd had. I've really moved myself into fresh territory with these songs, I think."

Indeed, Black Diamond's songs explore music and moods that are both subtler and more far-ranging than anything Ridgway has previously attempted. An example of the singer's fascination with the dream state, "Stranded" melodically melts from one level of reality to the next, encompassing a ghostly, fractured Titanic slipping beneath the waves, an anxious lone hitchhiker and an object in decaying orbit destined for a fiery oblivion. By contrast, the warmly haunting "Luther Played Guitar" finds Ridgway stepping into the shoes of one of his heroes, Johnny Cash, to lament the passing of Luther Perkins, lead guitarist for the great balladeer's original band, The Tennessee Three.

Orginally released on Birdcage

Some other opions of intrest:

"Stan Ridgway is equal parts Raymond Chandler and John Huston, Rod Serling and Johnny Cash. Haunted by America's pulp serial past, Ridgway has become his own wireless theater, with a cast of thousands at his fingertips and a wealth of tales in his head. A rare and famous talent." - THE FACE

"Some know him just as the long lost singer with the great Wall of Voodoo, others as one of the great unsung maverick geniuses of our time." - Melody Maker

"BLACK DIAMOND'S fast moving novellas are full of dense musical imagery, peopled with characters from a human highway 61 revisited." -NME